Download Free Outkast - Speakerboxxx/The Love Below [Album] [iTunes Plus AAC M4A] [Mp3 Version] from m4aLibrary.com. It's free and work great with iOS/Android or MAC/PC! Speakerboxxx/The Love Below is the fifth studio album. Would later recognise that much of the media attention surrounding the album's recording was concerned.

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In the three years between the chart success of Stankonia and the release date of their newest project, the members of Outkast underwent an identity crisis of sorts. Antwan 'Big Boi' Patton was content with elevating his Southern pimp flow to the next level, while his partner, the increasingly erratic Andre 'Andre 3000' Benjamin, decided that he didn't really want to rap anymore, choosing instead to record music in virtually every other genre (except for country and Scandinavian death metal) in an effort to become an 'artist'. This division on the front lines of hip first reared its ugly head on Aquemini, Outkast's third album and the first to directly reference the differences between the two men. Their contrasting points of view meshed beautifully, though, resulting in what I find to be the duo's finest hour. (Shit, I may want to go listen to Aquemini after this write-up just so I can remember how good they once were.) Stankonia, Outkast's fourth effort and their most successful to this point, only drew the lines between Big Boi and Andre 3000 with a thicker Sharpie, although Andre was more willing to play ball, spitting verses as if Antwan put a gun to his boy's head, but still managing to craft memorable bits (such as 'Gangsta Shit'). By the time album number five, the double-disc was announced, Andre 3000 had, apparently, moved on musically.

LaFace Records marketed this project, rightfully so, as two solo albums packaged together: by Big Boi, and by Andre 3000. What I expected was two albums that didn't sound even remotely related, which is what I received. However, one strange fact stood out for me while I was reading through the liner notes: Andre helped Big Boi write and produce, but Antwan's assistance was largely ignored for. This led me to believe two things: (1) Andre's egomania had finally reached new heights, and (2) critics would be all over themselves sucking at the cock of Andre 3000.

Urdu Novel Pdf Format. '/game-edukasi-anak-tk-gratis.html'>Game Edukasi Anak Tk Gratis. And yeah, I was right. Was both hailed and criticized by the general public: hailed because the music was good (at least, when it actually worked), but criticized because it isn't really an Outkast album. When you subtract one or the other from the mix, you get a rapper (or in Dre's case, a 'musician') who is unencumbered by the trappings of the other's conventions, causing them to spiral out of control within their own ideas. Big Boi's showcased a philosophical pimp who paid much more attention to the political events of the world around him than one would believe, and he surrounded himself with guests who shared his views (Killer Mike, various members of the Goodie MoB, Sleepy Brown) and folks who would guarantee sales (Jay-Z, Ludacris, Lil' Jon), while Andre's only features three cameo appearances, one of which barely registers. Dre's half of the project explores musical territory only hinted at on previous Outkast releases: funk, R&B, rock, jazz, drum and bass, polka, new wave, synth pop, and, yes, even rap are represented on here (the latter coming across as an afterthought, as if he snapped and realized that he didn't want to alienate his audience entirely), while Antwan stuck with what he knew. The double A-sided single 'Hey Ya!' /'The Way You Move' whetted appetite of popular music fans everywhere, with both garnering tons of spins on radio airwaves, although 'Hey Ya!'

Was far more accessible (more on this later). Would eventually go on to sell over fifteen million motherfucking units, winning a Grammy award for Album Of The Year and sealing the fate of Outkast as we knew it. DISC ONE: Big Boi - 1. INTRO This rap album intro makes it sound as if will sound almost exactly like the previous two Outkast albums. There's certainly nothing on here that informs the listener that this disc will be nothing like. Both of which were probably the point, I'm sure. GHETTO MUSICK The music on here is all types of awesome, and the sudden turn it takes during the goofy chorus is fucking hilarious.

Big Boi only manages to spit one verse out, but the song still works regardless. “Ghetto Musick” comes off as a third cousin, twice removed, on your mother's side, of “B.O.B.”, and it may actually get you as amped up as that classic track. UNHAPPY I like this song; its sound is that of a smooth, aimless drive on a Sunday afternoon, and there are constant references to hot sauce throughout. This probably isn't the first rap song to discuss how alcohol is a depressant and how ridiculous it is to abuse it when you're unhappy, but it's still a valid point to make anyway. (It's kind of like what Homer Simpson once said: “To alcohol: the cause of, and solution to, all of life's problems.”) However much I like this song, though, I find myself missing the presence of Andre 3000.